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Popular articles
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Film Review: Kang Hyo-jin’s “Wonderful Nightmare”
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“Men on the Dragon” – 2018 New York Asian Film Festival Review
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Who paved the way for Asian American film? A pre-“Crazy Rich Asians” look at our archives
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“Tremble All You Want” – 2018 Hong Kong Film Review
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Film Review: “Vanishing Time: A Boy Who Returned” (가려진 시간)
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Most recent stories
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Nonie Spring 2019 – New York Fashion Week
16 October 2018 6:48 AM | No CommentsNonie designer Nina Kharey intended to create clothing “for a clean, relaxed aesthetic,” but the simplicity of the designs lacked inspiration.
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“A Boy and Sungreen” (보희와 녹양) – 2018 Busan Film Review
10 October 2018 8:43 PM | No CommentsIn "A Boy and Sungreen," what the main character Bo-hee ultimately learns ends up becoming the lesson for the viewer.
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“Memories of a Dead End” (막다른 골목의 추억) – 2018 Busan Film Review
09 October 2018 11:37 AM | No CommentsIn the latest cinematic adaptation of Banana Yoshimoto’s work, Korean director Choi Hyun-young captures the spirit of the author’s literary style.
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VIVI ZUBEDI Spring 2019 – New York Fashion Week
08 October 2018 1:01 PM | No CommentsVivi Zubedi sprinkled her print-friendly Spring 2019 collection with the hijab along with coordinating abayat, long-sleeved garments resembling robes.
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Busan 2018: Lee Chang-dong, Yoo Ah-in, Jeon Jong-seo talk about “Burning”
08 October 2018 11:42 AM | No CommentsLee's masterful "Burning" is his first work in eight years. The director, along with actors Yoo and Jeon, talked about its themes and script in Busan.
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Meniscus Magazine on Instagram and G+
South Korea Archive
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“A Boy and Sungreen” (보희와 녹양) – 2018 Busan Film Review
Yuan-Kwan ChanPosted on October 10, 2018 | No CommentsIn "A Boy and Sungreen," what the main character Bo-hee ultimately learns ends up becoming the lesson for the viewer. -
“Memories of a Dead End” (막다른 골목의 추억) – 2018 Busan Film Review
Yuan-Kwan ChanPosted on October 9, 2018 | No CommentsIn the latest cinematic adaptation of Banana Yoshimoto’s work, Korean director Choi Hyun-young captures the spirit of the author’s literary style. -
Busan 2018: Lee Chang-dong, Yoo Ah-in, Jeon Jong-seo talk about “Burning”
Yuan-Kwan ChanPosted on October 8, 2018 | No CommentsLee's masterful "Burning" is his first work in eight years. The director, along with actors Yoo and Jeon, talked about its themes and script in Busan. -
Film Review: “Cold Eyes” (감시자들)
Yuan-Kwan ChanPosted on July 22, 2018 | No Comments"Cold Eyes," one of the top-grossing South Korean films in 2013, focuses on an intelligence squad's chase of a group of dangerous criminals. -
“Steel Rain” – 2018 Udine Far East Film Festival Review
Alfonse ChiuPosted on June 22, 2018 | No CommentsIn "Steel Rain," an almost pre-apocalyptic buddy cop thriller, North-South camaraderie save the day in an obvious paean to Korean fraternity and a reunified state. -
Hong Sang-soo’s “Claire’s Camera” – 2017 San Diego Asian Film Review
Christopher BournePosted on November 22, 2017 | No CommentsShot on the fly in nine days, "Claire's Camera" is a subtly non-linear narrative, and a charming roundelay of chance encounters and romantic complications. -
“The Villainess” (악녀) – 2017 BiFan Film Review
Yuan-Kwan ChanPosted on July 17, 2017 | No CommentsKim Ok-bin sinks her teeth - or rather, her knife - into an exhausting lead role of a female killing machine who occasionally shows emotional cracks. -
Kang Dong-won (강동원) wins 2017 Star Asia Award in New York
Yuan-Kwan ChanPosted on July 14, 2017 | No CommentsThe South Korean actor won the award at the 2017 New York Asian Film Festival before the screening of his film, "Vanishing Time: A Boy Who Returned." -
“Ordinary Person” – 2017 New York Asian Film Festival Review
Rex BaylonPosted on June 30, 2017 | No CommentsKim Bong-han's picture unabashedly shows that a mass of ordinary people can rewrite an entire nation’s narrative, from tyranny to democracy. -
Film Review: “Vanishing Time: A Boy Who Returned” (가려진 시간)
Yuan-Kwan ChanPosted on June 30, 2017 | No CommentsAlthough "Vanishing Time: A Boy Who Returned" focuses on time travel, a Disney movie this is not, and the consequences are more tragic than whimsical.
