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Welcome to Arras!
Arras is a WordPress theme designed for news or review sites with lots of customisable features.
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Recent Posts
- May Kamaka wins the Miss Chinatown Hawaii 2026 Pageant
- M+ host of Guo Pei’s first major fashion exhibition in East Asia
- Photos: G-STAR “Anatomic Denim” F/W 2025 collection & Denim Gorilla
- MLB: Dodgers 7, Reds 0 (Aug. 25, 2025) – Shohei tutors Teoscar?
- MLB: Dodgers 7, Reds 0 (Aug. 25, 2025) – V of BTS throws opening pitch
- MLB: Dodgers 5, Reds 1 (Aug. 27, 2025) – Ohtani records first win as a Dodgers pitcher
- Another gold medal, another world record for Mondo Duplantis
- In what turns out to be Son’s Tottenham farewell tour, Spurs beat Arsenal in Hong Kong
- “A Samurai in Time” – 2025 Japan Cuts Film Review
- Takashi Murakami was everywhere at Art Basel Hong Kong 2025
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Tag Cloud
Art Basel Hong Kong Asia Fashion Collection Asian American International Film Festival beauty pageants Busan International Film Festival Citi Open Exclusive Interview Fall 2007 Fall 2009 Fall 2010 Fall 2012 Fall 2013 Fall 2014 Fall 2015 Fall 2016 Fantasia International Film Festival Hong Kong International Film Festival Hong Kong Sevens Japan Cuts Film Festival Melbourne International Film Festival New York Asian Film Festival New York Fashion Week New York Film Festival Olympic Games POW! WOW! Hawaii Red Carpet Rogers Cup San Diego Asian Film Festival Seoul Fashion Week Spring 2009 Spring 2010 Spring 2012 Spring 2013 Spring 2014 Spring 2015 Spring 2016 Spring 2017 Tokyo Fashion Week Toronto Fashion Week Tribeca Film Festival Washington Kastles Washington Mystics Westminster Kennel Club Dog Show WNBA World TeamTennis
Film Archive
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Han Han’s “The Continent” – 2014 Busan Film Review
Rex BaylonPosted on October 7, 2014 | No CommentsIn Han Han’s debut feature, “The Continent” (后会无期), the general premise of the road trip movie is used to tell a melancholic tale about three men. -
Sion Sono’s “Tokyo Tribe” – 2014 Busan Film Review
Yuan-Kwan ChanPosted on October 6, 2014 | No CommentsIn "Tokyo Tribe," Sono has delivered a feast of sight and sound that will convert critics of musicals on the widescreen. -
“Love Never Fails” cast, director discuss topic of suicide
Yuan-Kwan ChanPosted on October 5, 2014 | No CommentsWhile Min Byung-hun’s “Love Never Fails” (사랑이이긴다) is based on the true story of a teen girl's suicide, the film focuses more on the psychological aftermath. -
Kiet Le-Van’s “Gentle” – 2014 Busan Film Review
Yuan-Kwan ChanPosted on October 3, 2014 | No Comments"Gentle," the title of the Vietnamese director's latest film, is a nod to the short story from which it was adapted, Fyodor Dostoyevsky's "A Gentle Creature." -
Baek Jaeho’s “We Will Be OK” – 2014 Busan Film Review
Yuan-Kwan ChanPosted on October 3, 2014 | No CommentsA film about a director trying to make a film. It's an overused plot device that takes on a greater meaning in actor-turned-director Baek's debut feature. -
“The Coffin in the Mountain” – 2014 Busan Film Review
Rex BaylonPosted on September 26, 2014 | No CommentsFirst-time filmmaker Xin Yukun tackles the messiness of human connection in "The Coffin in the Mountain" (殯棺), a picture obsessed with ritual. -
Film Review: Shosh Shlam and Hilla Medalia’s “Web Junkie”
Christopher BournePosted on August 8, 2014 | No Comments"Web Junkie" is set in China, which is the first country in the world to officially designate Internet addiction as a clinical disorder. -
A Sonny Chiba interview: Acting, martial arts and family
Yuan-Kwan ChanPosted on August 3, 2014 | No CommentsSonny Chiba talked to Meniscus Magazine about his work and why – when asked about his proudest achievement – he still strives for more. -
In “Happy Fun Room,” Greg Pak once again explores timeless sci-fi
Yuan-Kwan ChanPosted on July 31, 2014 | No CommentsThe short film "Happy Fun Room" is a thought-provoking take on Pak's preferred genre, with a setting disarmingly teetering between past, present and future. -
“Letters From the South” – 2014 Asian American Int’l Film Festival Review
Christopher BournePosted on July 31, 2014 | No CommentsAn eclectic anthology of six short films dramatizes the experiences of the Chinese diaspora in southeast Asia.