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A look inside the Nakagin Capsule Tower – Tokyo, Japan
16 November 2019 10:59 AM | No CommentsThe Nakagin Capsule Tower resembles two towers of stacked cubes. It is one of few remaining buildings from the Japanese Metabolist architectural movement.
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“Farewell Song” (さよならくちびる) – 2019 SDAFF Review
11 November 2019 8:26 AM | No Comments"Farewell Song" is an ode to a lifestyle that few people have the courage to attempt, and fewer still have the strength and luck to find success in.
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“Present. Perfect.” (完美現在時) – 2019 SDAFF Review
10 November 2019 10:28 AM | No CommentsShengzhe Zhu’s documentary elicits sympathy for its subjects - a number of live streamers in China - while alluding to the dangers of excessive, passive consumption.
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“It’s a Mad, Mad, Mad, Mad Show” – 2019 SDAFF Review
09 November 2019 9:20 AM | No CommentsIn "It’s a Mad, Mad, Mad, Mad Show," a Taiwanese television network is run by a mob-connected boss searching for cash instead of ratings. Cue Crazy TV!
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Shin Su-won’s “Light for the Youth” – 2019 Busan Film Review
02 November 2019 8:36 AM | No CommentsWhether "Light for the Youth" (젊은이의 양지) leads to an optimistic path for today’s Generation Y in "Hell Joseon" is ultimately left up to the viewer to decide.
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Japan Archive
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“Farewell Song” (さよならくちびる) – 2019 SDAFF Review
Wade-Hahn ChanPosted on November 11, 2019 | No Comments"Farewell Song" is an ode to a lifestyle that few people have the courage to attempt, and fewer still have the strength and luck to find success in. -
Busan 2019: Hirokazu Kore-eda discusses “The Truth”
Yuan-Kwan ChanPosted on October 14, 2019 | No CommentsHirokazu Kore-eda’s latest work, “The Truth,” made its Asian Premiere in Busan and is his first film made outside of his native country. -
Nanako Hirose’s “book-paper-scissors” – 2019 Busan Film Review
Yuan-Kwan ChanPosted on October 6, 2019 | No CommentsDirected and shot over a period of three years, the documentary examines book designer Nobuyoshi Kikuchi’s meticulous process across seven chapters. -
Eifuku Shokudo (栄福食堂, “Tony Soba”) – Ishigaki, Okinawa, Japan
Yuan-Kwan ChanPosted on June 22, 2019 | No CommentsTony Soba serves some of the cheapest bowls of Yaeyama soba one can find in Okinawa, and doubles as an unabashed shrine to a forgotten actor. -
Hiroshi Okuyama’s “Jesus” – 2019 Hong Kong Film Review
Yuan-Kwan ChanPosted on March 23, 2019 | No CommentsIn "Jesus," Okuyama - playing the quadruple threat of director, cinematographer, editor and screenplay writer - shines a unique perspective on religion through the eyes of a child. -
Meniscus Magazine’s Top 10 articles of 2018
Meniscus MagazinePosted on January 2, 2019 | No CommentsThree reviews of Korean films made it to the list (proving the continued global influence of South Korean cinema) as well as three articles about food (proving that our readers are very hungry people). -
“Memories of a Dead End” (막다른 골목의 추억) – 2018 Busan Film Review
Yuan-Kwan ChanPosted on October 9, 2018 | No CommentsIn the latest cinematic adaptation of Banana Yoshimoto’s work, Korean director Choi Hyun-young captures the spirit of the author’s literary style. -
“Tremble All You Want” – 2018 Hong Kong Film Review
Yuan-Kwan ChanPosted on May 6, 2018 | No Comments"Tremble All You Want" (勝手にふるえてろ) is one of the more refreshing films on the triumphs and travails of young adulthood to come out of Japan in recent years. -
“Amiko” – 2018 Hong Kong International Film Festival Review
Yuan-Kwan ChanPosted on March 28, 2018 | No CommentsFollowing Amiko through her angst-driven journey to get over her so-called lost love is equivalent to a Japanese adolescent's realization of a Taylor Swift music video. -
“Memoirs of a Murderer” – 2017 Japan Cuts Film Review
Yuan-Kwan ChanPosted on July 3, 2017 | No Comments"Memoirs of a Murderer" - Yu Irie's adaptation of a 2012 South Korean film - is a grittier, grimier and grimmer version of its predecessor.
