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Popular articles
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Film Review: Kang Hyo-jin’s “Wonderful Nightmare”
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Who paved the way for Asian American film? A pre-“Crazy Rich Asians” look at our archives
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“Men on the Dragon” – 2018 New York Asian Film Festival Review
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“Tremble All You Want” – 2018 Hong Kong Film Review
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Film Review: “Vanishing Time: A Boy Who Returned” (가려진 시간)
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Most recent stories
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Laurence & Chico Spring 2019 – New York Fashion Week
16 September 2018 10:39 PM | No CommentsThe Laurence & Chico sports-inspired Spring 2019 collection featured dancing tulle loofahs and mushrooms in a joyful ode to fashion.
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Where North Koreans watch films: A look into several Pyongyang movie theaters
09 September 2018 1:36 PM | No CommentsThe Pyongyang International Film Festival is a rare opportunity for foreigners to watch movies alongside locals in a select number of theaters.
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Artist Mika Revell: “Unnatural Disasters 2015 – 2017” series
09 September 2018 7:42 AM | No CommentsA selection from Mika Revell's "Unnatural Disasters 2015 - 2017" series displayed at the 2017 LA Art Show featured depictions of Fukushima and Hiroshima.
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2017 LA Art Show: Victoria Roberts
31 August 2018 11:24 PM | No CommentsVictoria Roberts describes her work as "Assemblage Art sculpture using re-purposed vintage and antique parts."
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James Shigeta on his groundbreaking 1959 film, “The Crimson Kimono”
28 August 2018 11:57 AM | No CommentsAt a 2007 event, James Shigeta – who passed away seven years later – talked about working with director Samuel Fuller and the early days of his acting career.
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About Author: Paul Kazee
Posts by Paul Kazee
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2017 Capitolfest: Fay Wray, short films and much more
Paul KazeePosted on August 27, 2017 | No CommentsFay Wray was the featured star at this year's Capitolfest. Audiences were delighted to learn that her daughter would be the festival's very special guest. -
“Train to Busan” (부산행) – 2016 Fantasia Film Review
Paul KazeePosted on August 2, 2016 | No CommentsCritics have been nearly unanimous in calling "Train to Busan" one of the best zombie flicks in years, and while it is that, it also has glaring flaws. -
“Under the Shadow” – 2016 Fantasia Film Review
Paul KazeePosted on July 29, 2016 | No CommentsWhile "Under the Shadow" may work better as political allegory than as horror, it is not without its effective supernatural scares. -
Spoken Word: Grady Hendrix’s “Summerland Lost: A Ghost Story in Progress” – 2016 Fantasia Film Festival
Paul KazeePosted on July 27, 2016 | No CommentsAmong the author's latest creations is a spoken word piece detailing the history of Spiritualism in the U.S., starting with the Fox sisters in 1848. -
“I, Olga Hepnarová” – 2016 Fantasia Film Review
Paul KazeePosted on July 23, 2016 | No CommentsNeither justifying or condemning her, "I, Olga Hepnarová" simply observes a lonely, alienated woman - the last woman to be executed in Czechoslovakia. -
Agnieszka Smoczynska’s “The Lure” – 2016 Fantasia Film Review
Paul KazeePosted on July 20, 2016 | No CommentsIf you watch only one mermaid musical in your lifetime, please let it be "The Lure," which is pretty much the best movie in the world for its first half. -
Marcin Wrona’s “Demon” – 2016 Fantasia Film Review
Paul KazeePosted on July 17, 2016 | No CommentsWith roots in the Jewish myth of the Dybbuk, the ghost who clings to a human victim in "Demon" is of a young Jewish woman who vanished during World War II. -
Guillermo del Toro talks about his love for Fantasia
Paul KazeePosted on July 16, 2016 | No CommentsDirector Guillermo del Toro ("Pan's Labyrinth," "Pacific Rim") arrived at the Fantasia International Film Festival in Montreal to a packed schedule. -
Fantasia 2016: “Antibirth,” “A Conspiracy of Faith,” “Rupture”
Paul KazeePosted on July 16, 2016 | No CommentsNatasha Lyonne and Chloë Sevigny are spot on "Antibirth;" "A Conspiracy of Faith" can't quite find the truth; and Noomi Rapace shines in a flawed "Rupture." -
“King Dave” – 2016 Fantasia International Film Festival Review
Paul KazeePosted on July 15, 2016 | No CommentsWhat makes "King Dave" truly amazing is not just that it's a single take, but rather, it's what director Podz manages to fit into the frame.
