Most recent stories
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POW! WOW! Hawaii 2020: cre808art
02 August 2020 1:08 AM | No CommentsAndrea "Drea" James is behind the Instagram account cre808art. She is a painter who divides her time between Hawaii and Long Beach, Calif.
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POW! WOW! Hawaii 2020: 123KLAN
01 August 2020 2:33 AM | No Comments123KLAN has participated in past editions of POW! WOW! in Okinawa and across the United States.
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![According to Chai's website, the Korean American artist "[relishes] breaking the rules and mixing abstract elements into [her] work."](https://www.meniscuszine.com/wp-content/uploads/2020/04/PowWowHawaii_Lauren-Hana-Chai_200214_0598-75x75.jpg "POW! WOW! Hawaii 2020: Lauren Hana Chai")
POW! WOW! Hawaii 2020: Lauren Hana Chai
30 July 2020 11:21 PM | No CommentsAccording to Chai's website, the Korean American artist "[relishes] breaking the rules and mixing abstract elements into [her] work."
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![The "Chapter 5: Reparation" collection from [ savoar fer ] featured a skilled usage of mixed materials.](https://www.meniscuszine.com/wp-content/uploads/2020/04/savoar-fer-Fall-2019-Paris-Fashion-Week_190228_01-75x75.jpg "[ savoar fer ] Fall 2019 – Paris Fashion Week")
[ savoar fer ] Fall 2019 – Paris Fashion Week
15 May 2020 9:15 PM | No CommentsThe "Chapter 5: Reparation" collection from [ savoar fer ] featured a skilled usage of mixed materials.
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POW! WOW! Hawaii 2020: Beyond (beyond.graffiti)
24 April 2020 8:19 AM | No CommentsBeyond is one half of the Dutch artist duo, Karski & Beyond. They specialize in the types of murals featured at POW! WOW! Hawaii.
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About Author: Paul Kazee
Posts by Paul Kazee
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2017 Capitolfest: Fay Wray, short films and much more
Paul KazeePosted on August 27, 2017 | No CommentsFay Wray was the featured star at this year's Capitolfest. Audiences were delighted to learn that her daughter would be the festival's very special guest. -
“Train to Busan” (부산행) – 2016 Fantasia Film Review
Paul KazeePosted on August 2, 2016 | No CommentsCritics have been nearly unanimous in calling "Train to Busan" one of the best zombie flicks in years, and while it is that, it also has glaring flaws. -
“Under the Shadow” – 2016 Fantasia Film Review
Paul KazeePosted on July 29, 2016 | No CommentsWhile "Under the Shadow" may work better as political allegory than as horror, it is not without its effective supernatural scares. -
Spoken Word: Grady Hendrix’s “Summerland Lost: A Ghost Story in Progress” – 2016 Fantasia Film Festival
Paul KazeePosted on July 27, 2016 | No CommentsAmong the author's latest creations is a spoken word piece detailing the history of Spiritualism in the U.S., starting with the Fox sisters in 1848. -
“I, Olga Hepnarová” – 2016 Fantasia Film Review
Paul KazeePosted on July 23, 2016 | No CommentsNeither justifying or condemning her, "I, Olga Hepnarová" simply observes a lonely, alienated woman - the last woman to be executed in Czechoslovakia. -
Agnieszka Smoczynska’s “The Lure” – 2016 Fantasia Film Review
Paul KazeePosted on July 20, 2016 | No CommentsIf you watch only one mermaid musical in your lifetime, please let it be "The Lure," which is pretty much the best movie in the world for its first half. -
Marcin Wrona’s “Demon” – 2016 Fantasia Film Review
Paul KazeePosted on July 17, 2016 | No CommentsWith roots in the Jewish myth of the Dybbuk, the ghost who clings to a human victim in "Demon" is of a young Jewish woman who vanished during World War II. -
Guillermo del Toro talks about his love for Fantasia
Paul KazeePosted on July 16, 2016 | No CommentsDirector Guillermo del Toro ("Pan's Labyrinth," "Pacific Rim") arrived at the Fantasia International Film Festival in Montreal to a packed schedule. -
Fantasia 2016: “Antibirth,” “A Conspiracy of Faith,” “Rupture”
Paul KazeePosted on July 16, 2016 | No CommentsNatasha Lyonne and Chloë Sevigny are spot on "Antibirth;" "A Conspiracy of Faith" can't quite find the truth; and Noomi Rapace shines in a flawed "Rupture." -
“King Dave” – 2016 Fantasia International Film Festival Review
Paul KazeePosted on July 15, 2016 | No CommentsWhat makes "King Dave" truly amazing is not just that it's a single take, but rather, it's what director Podz manages to fit into the frame.