- Description
- A member of the Online Film Critics Society, Christopher Bourne is a senior reporter for Meniscus Magazine. He is a writer and incurable cinephile living in New York City.
-
Welcome to Arras!
Arras is a WordPress theme designed for news or review sites with lots of customisable features.
-
Recent Posts
- May Kamaka wins the Miss Chinatown Hawaii 2026 Pageant
- M+ host of Guo Pei’s first major fashion exhibition in East Asia
- Photos: G-STAR “Anatomic Denim” F/W 2025 collection & Denim Gorilla
- MLB: Dodgers 7, Reds 0 (Aug. 25, 2025) – Shohei tutors Teoscar?
- MLB: Dodgers 7, Reds 0 (Aug. 25, 2025) – V of BTS throws opening pitch
- MLB: Dodgers 5, Reds 1 (Aug. 27, 2025) – Ohtani records first win as a Dodgers pitcher
- Another gold medal, another world record for Mondo Duplantis
- In what turns out to be Son’s Tottenham farewell tour, Spurs beat Arsenal in Hong Kong
- “A Samurai in Time” – 2025 Japan Cuts Film Review
- Takashi Murakami was everywhere at Art Basel Hong Kong 2025
-
Tag Cloud
Art Basel Hong Kong Asia Fashion Collection Asian American International Film Festival beauty pageants Busan International Film Festival Citi Open Exclusive Interview Fall 2007 Fall 2009 Fall 2010 Fall 2012 Fall 2013 Fall 2014 Fall 2015 Fall 2016 Fantasia International Film Festival Hong Kong International Film Festival Hong Kong Sevens Japan Cuts Film Festival Melbourne International Film Festival New York Asian Film Festival New York Fashion Week New York Film Festival Olympic Games POW! WOW! Hawaii Red Carpet Rogers Cup San Diego Asian Film Festival Seoul Fashion Week Spring 2009 Spring 2010 Spring 2012 Spring 2013 Spring 2014 Spring 2015 Spring 2016 Spring 2017 Tokyo Fashion Week Toronto Fashion Week Tribeca Film Festival Washington Kastles Washington Mystics Westminster Kennel Club Dog Show WNBA World TeamTennis
![Review: Masahiro Kobayashi’s “Bashing” Masahiro Kobayashi’s 2005 film Bashing takes as its inspiration the ostracism experienced by Japanese humanitarian workers in Iraq after surviving kidnapping there. The film’s protagonist, Yuko (played with quiet intensity by […]](https://www.meniscuszine.com/wp-content/uploads/2012/05/Bashing+3-115x115.jpg)

![Review: Lee Yong-min’s “A Happy Day of Jinsa Maeng” Jinsa Maeng, the patriarch of a village household in the Chosun era, is obsessed with his social status and constantly schemes to elevate it. To this end, he arranges to […]](https://www.meniscuszine.com/wp-content/uploads/2011/06/Jinsa-Maeng-115x115.jpg)
![Review: Tsai Ming-liang’s “The Hole” One of the most interesting things about Tsai Ming-liang’s filmmaking career, considering what an inimitable and uncompromising artist he is, is the fact that three of the nine […]](https://www.meniscuszine.com/wp-content/uploads/2012/05/Hole+1-115x115.png)

![Review: Charles Burnett’s “Killer of Sheep” Charles Burnett’s 1977 masterpiece Killer of Sheep, which finally received a proper theatrical release 30 years after its premiere, makes its own powerful argument as an indispensable work, one of […]](https://www.meniscuszine.com/wp-content/uploads/2011/06/killer-of-sheep_still-008lg-115x115.jpg)
![Review: Shin Han-sol’s “Art of Fighting” The title of Shin Han-sol’s 2006 debut feature, Art of Fighting, proves to be quite an ironic one, since the fighting on display is anything but artful. Byeong-tae (Jae Hee, […]](https://www.meniscuszine.com/wp-content/uploads/2011/05/Art-of-Fighting-1-115x115.jpg)
![Review: Tsai Ming-liang’s “Rebels of the Neon God” One major element of Tsai Ming-liang’s films, remarked on by many commentators, is water; Tsai’s films are practically drenched with it. Water, in all its forms, courses through the films; […]](https://www.meniscuszine.com/wp-content/uploads/2012/05/Rebels+1-115x115.png)
![Review: Koreyoshi Kurahara’s “The Warped Ones” Japan’s Nikkatsu Studios is best known for their wild, kinetic action films, especially those of Seijun Suzuki (Tokyo Drifter, Branded to Kill). However, there were a number of other directors […]](https://www.meniscuszine.com/wp-content/uploads/2011/05/Warped-Ones-115x115.jpg)
![Review: Chung Mong-hong’s “The Fourth Portrait” Twice in The Fourth Portrait, Chung Mong-hong’s downbeat, episodic, and almost surreally fragmented second feature, Wen-hsiang (Bi Xiao-hai), the ten-year old boy at the narrative’s center, enters, and emerges from, […]](https://www.meniscuszine.com/wp-content/uploads/2012/05/The+Fourth+Portrait+-+image+2-115x115.jpg)