Most recent stories
-
Namacheko Fall 2023 – Paris Fashion Week Menswear
23 January 2023 4:06 AM | No CommentsRunway photos from the label's Fall/Winter 2023 "Middle Age Grunge" men’s collection in Paris.
Read More -
Tokyo Marathon 2021: The dreamers and the cosplayers
12 January 2023 12:44 AM | No CommentsGiven Japan's epic history of cosplay, this usually results in more creative costumes than most. Here are some photos.
Read More -
Busan 2022: Song Kang-ho (송강호) “Broker” Q&A photos
23 December 2022 10:13 PM | No CommentsActor Song Kang-ho appeared at the Oct. 7 screening of "Broker" at the 2022 Busan International Film Festival.
Read More -
Photos: Public art in Palm Springs and beyond – California, U.S.A.
20 December 2022 6:58 PM | No CommentsOutdoor sculptures and murals can be found all across Palm Springs, as well as outside of the city.
Read More -
Backstage: Narciso Rodriguez Fall 2012 – New York Fashion Week
12 December 2022 8:12 PM | No CommentsPre-show backstage photos from Narciso Rodriguez’s Fall 2012 women’s collection at Mercedes-Benz Fashion Week.
Read More
-
Singapore Archive
-
Busan 2019: Eric Khoo reflects on “Mee Pok Man” 24 years later
Wade-Hahn ChanPosted on October 10, 2019 | No CommentsKhoo shared his thoughts on his debut film, his upcoming HBO series on food and other topics at the Busan International Film Festival. -
SGIFF Q&A: Director of “Southeast Asian Cinema – When the Rooster Crows”
Yuan-Kwan ChanPosted on September 6, 2019 | No CommentsLeonardo Cinieri Lombroso spoke to attendees at the 2014 Singapore International Film Festival about his documentary featuring four Asian directors. -
Yeo Siew Hwa’s “A Land Imagined” – 2019 Hong Kong Film Review
Yuan-Kwan ChanPosted on March 31, 2019 | No Comments"A Land Imagined" tries too hard to showcase a side of Singapore that is the polar opposite of the squeaky clean image advertised in tourism brochures. -
Review: “Southeast Asian Cinema – When the Rooster Crows”
Yuan-Kwan ChanPosted on December 9, 2014 | No CommentsThe documentary, which screened in Busan and Singapore, focuses on four directors: Brillante Mendoza, Pen-Ek Ratanaraung, Garin Nugroho and Eric Khoo. -
“Ms J Contemplates Her Choice” – 2014 SGIFF Film Review
Yuan-Kwan ChanPosted on December 7, 2014 | No CommentsJason Lai's debut feature is an ambitious mystery-thriller that doubles as a critique on the uneasy melange of cultures in Singaporean society. -
“Letters From the South” – 2014 Asian American Int’l Film Festival Review
Christopher BournePosted on July 31, 2014 | No CommentsAn eclectic anthology of six short films dramatizes the experiences of the Chinese diaspora in southeast Asia. -
Anthony Chen’s “Ilo Ilo” – 2013 San Diego Asian Film Festival Review
Christopher BournePosted on November 11, 2013 | No CommentsChen, who won the Camera D’Or at the Cannes Film Festival, set his semi-autobiographical story "Ilo Ilo" in Singapore circa the 1997 Asian financial crisis. -
![On Thursday, August 11, the Asian American International Film Festival presents LBGTQ (Lesbian, Bisexual, Gay, Transgender, Queer) Cinema Night at the Clearview Chelsea on West 23rd Street in Manhattan. “Tales […]](https://www.meniscuszine.com/wp-content/uploads/2011/08/when-hainan-meets-teochew-115x115.jpg "Reviews: “Tales of the Waria” and “When Hainan Meets Teochew”")
Reviews: “Tales of the Waria” and “When Hainan Meets Teochew”
Eric HungPosted on August 9, 2011 | No CommentsOn Thursday, August 11, the Asian American International Film Festival presents LBGTQ (Lesbian, Bisexual, Gay, Transgender, Queer) Cinema Night at the Clearview Chelsea on West 23rd Street in Manhattan. “Tales […] -
![“Be With Me,” a film by Singaporean filmmaker Eric Khoo, was my personal favorite of the 2006 New York Asian American International Film Festival. Despite its complex interweaving of three […]](https://www.meniscuszine.com/wp-content/uploads/2006/07/chiew01-115x115.jpg "Eric Khoo’s “Be With Me” – 2006 AAIFF Review")
Eric Khoo’s “Be With Me” – 2006 AAIFF Review
Christopher BournePosted on July 16, 2006 | No Comments“Be With Me,” a film by Singaporean filmmaker Eric Khoo, was my personal favorite of the 2006 New York Asian American International Film Festival. Despite its complex interweaving of three […]