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A look inside the Nakagin Capsule Tower – Tokyo, Japan
16 November 2019 10:59 AM | No CommentsThe Nakagin Capsule Tower resembles two towers of stacked cubes. It is one of few remaining buildings from the Japanese Metabolist architectural movement.
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“Farewell Song” (さよならくちびる) – 2019 SDAFF Review
11 November 2019 8:26 AM | No Comments"Farewell Song" is an ode to a lifestyle that few people have the courage to attempt, and fewer still have the strength and luck to find success in.
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“Present. Perfect.” (完美現在時) – 2019 SDAFF Review
10 November 2019 10:28 AM | No CommentsShengzhe Zhu’s documentary elicits sympathy for its subjects - a number of live streamers in China - while alluding to the dangers of excessive, passive consumption.
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“It’s a Mad, Mad, Mad, Mad Show” – 2019 SDAFF Review
09 November 2019 9:20 AM | No CommentsIn "It’s a Mad, Mad, Mad, Mad Show," a Taiwanese television network is run by a mob-connected boss searching for cash instead of ratings. Cue Crazy TV!
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Shin Su-won’s “Light for the Youth” – 2019 Busan Film Review
02 November 2019 8:36 AM | No CommentsWhether "Light for the Youth" (젊은이의 양지) leads to an optimistic path for today’s Generation Y in "Hell Joseon" is ultimately left up to the viewer to decide.
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Malaysia Archive
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“Crossroads: One Two Jaga” – 2018 Udine Far East Film Festival Review
Alfonse ChiuPosted on June 22, 2018 | No CommentsThe latest by Malaysian screen veteran Namron is an interesting, though occasionally uneven, take on culpability, civil discontent, and the plights of those trying to survive in a broken system. -
刘成达的《口袋里的花》
Christopher BournePosted on October 31, 2016 | No Comments你可以把这部电影看成是马来西亚版的《400击》。 《口袋里的花》，刘成达的处女作，于2008年在美 国亚裔国际电影节上崭露头角，也是目前马来西亚涌 现出来的多产的电影之星中另一个绝好的典范。 -
Meniscus Magazine’s Top 10 articles of 2015
Meniscus MagazinePosted on January 5, 2016 | No CommentsThis year's Top 10 includes an eclectic mix of controversial films, charismatic public personalities and a longtime food debate first raised in 2008. -
Stars hit the 2015 Silver Screen Awards red carpet
Yuan-Kwan ChanPosted on December 10, 2015 | No CommentsFilm talent and VIPs from Asia and beyond attended the 2015 Silver Screen Awards in Singapore, including Michelle Yeoh and David Beckham. -
Meniscus Magazine asks Michelle Yeoh about…stunts
Yuan-Kwan ChanPosted on December 9, 2015 | No CommentsAt the Singapore International Film Festival, we asked Cinema Legend Award honoree Michelle Yeoh about the stunts of today versus yesteryear. -
Namewee’s “Banglasia” – 2015 NYAFF Review
Yuan-Kwan ChanPosted on June 30, 2015 | No Comments"Banglasia" is the latest film by Namewee that was promptly banned in his home country of Malaysia. A look at the cast quickly reveals why. -
“Letters From the South” – 2014 Asian American Int’l Film Festival Review
Christopher BournePosted on July 31, 2014 | No CommentsAn eclectic anthology of six short films dramatizes the experiences of the Chinese diaspora in southeast Asia. -
On the red carpet: Michelle Yeoh (楊紫瓊) – 2013 Asian Film Awards
Yuan-Kwan ChanPosted on March 30, 2013 | No CommentsMichelle Yeoh, the final celebrity to arrive on the red carpet, won the Excellence in Asian Cinema Award and told Meniscus how stunts have changed. -
Review: Liew Seng Tat’s “Flower in the Pocket”
Christopher BournePosted on July 6, 2012 | No CommentsLiew Seng Tat’s debut feature, "Flower in the Pocket," is yet another great example of the fecundity of cinematic talent currently coming out of Malaysia. -
![Tan Chui Mui’s remarkable debut feature Love Conquers All (2006) is a beautiful, unsettling, baffling, and subtly surreal work that confirms the considerable talent to be found in contemporary Malaysian cinema. […]](https://www.meniscuszine.com/wp-content/uploads/2011/11/Love-Conquers-All-2-115x115.jpg "Review: Tan Chui Mui’s “Love Conquers All”")
Review: Tan Chui Mui’s “Love Conquers All”
Christopher BournePosted on November 11, 2011 | No CommentsTan Chui Mui’s remarkable debut feature Love Conquers All (2006) is a beautiful, unsettling, baffling, and subtly surreal work that confirms the considerable talent to be found in contemporary Malaysian cinema. […]
