Most recent stories
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POW! WOW! Hawaii 2020: Alex Pardee
10 October 2020 1:37 AM | No CommentsAlex Pardee has completed numerous art projects related to fashion, film, music videos, comics and much more.
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POW! WOW! Hawaii 2020: cre808art
02 August 2020 1:08 AM | No CommentsAndrea "Drea" James is behind the Instagram account cre808art. She is a painter who divides her time between Hawaii and Long Beach, Calif.
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POW! WOW! Hawaii 2020: 123KLAN
01 August 2020 2:33 AM | No Comments123KLAN has participated in past editions of POW! WOW! in Okinawa and across the United States.
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![According to Chai's website, the Korean American artist "[relishes] breaking the rules and mixing abstract elements into [her] work."](https://www.meniscuszine.com/wp-content/uploads/2020/04/PowWowHawaii_Lauren-Hana-Chai_200214_0598-75x75.jpg "POW! WOW! Hawaii 2020: Lauren Hana Chai")
POW! WOW! Hawaii 2020: Lauren Hana Chai
30 July 2020 11:21 PM | No CommentsAccording to Chai's website, the Korean American artist "[relishes] breaking the rules and mixing abstract elements into [her] work."
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![The "Chapter 5: Reparation" collection from [ savoar fer ] featured a skilled usage of mixed materials.](https://www.meniscuszine.com/wp-content/uploads/2020/04/savoar-fer-Fall-2019-Paris-Fashion-Week_190228_01-75x75.jpg "[ savoar fer ] Fall 2019 – Paris Fashion Week")
[ savoar fer ] Fall 2019 – Paris Fashion Week
15 May 2020 9:15 PM | No CommentsThe "Chapter 5: Reparation" collection from [ savoar fer ] featured a skilled usage of mixed materials.
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Hong Kong Archive
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Donnie Yen: “The Lost Bladesman” Q&A – 2012 NYAFF
Yuan-Kwan ChanPosted on September 15, 2019 | No CommentsDonnie Yen addresses the crowd at the screening of THE LOST BLADESMAN (關雲長) on July 7, 2012, at the Film Society at Lincoln Center. -
Donnie Yen: “Dragon (Wu Xia)” Q&A – 2012 New York Asian Film Festival
Yuan-Kwan ChanPosted on September 13, 2019 | No CommentsDonnie Yen answers questions about Peter Chan's "Dragon (Wu Xia)" - addressing the rumor that it was a remake of "The One-Armed Swordsman" - and other topics. -
Sammo Hung gets candid at the 2019 Hong Kong International Film Festival
Yuan-Kwan ChanPosted on May 18, 2019 | No CommentsThis year's "Filmmaker in Focus," Sammo Hung took time out of his busy schedule to answer some questions. Topics ranged from the current state of the Hong Kong film industry to his past work. -
Film Review: Lee Lik-chi’s “The Lucky Guy” (行運一條龍)
Yuan-Kwan ChanPosted on January 27, 2019 | No CommentsStephen Chow fans who have not seen his 1998 film “The Lucky Guy” can rejoice: the movie will be re-issued on DVD and Blu-Ray in time for the Lunar New Year. -
Meniscus Magazine’s Top 10 articles of 2018
Meniscus MagazinePosted on January 2, 2019 | No CommentsThree reviews of Korean films made it to the list (proving the continued global influence of South Korean cinema) as well as three articles about food (proving that our readers are very hungry people). -
“Men on the Dragon” – 2018 New York Asian Film Festival Review
Alfonse ChiuPosted on July 12, 2018 | No CommentsFearing a round of layoffs, four mid-career telecom workers join the company’s dragon boat team in a bid to avoid the chop in “Men on the Dragon” (逆流大叔). -
Film Review: Johnnie To’s “Election”
Rex BaylonPosted on June 14, 2017 | No Comments"Election” takes the skeleton structure of a gangster flick to tell a very human tale about power and its corrupting effect. -
Johnnie To’s “Three” (三人行) – 2016 Fantasia Film Review
Christopher BournePosted on August 3, 2016 | No CommentsA return to his familiar milieu of cops and gangsters, "Three" continues To’s experiments in combining theatrical and cinematic space. -
Film Review: Stephen Chow’s “The Mermaid”
Christopher BournePosted on July 12, 2016 | No CommentsStephen Chow, the beloved Hong Kong auteur, now has a major jewel to add to his crown with his latest film, the manic ecological parable “The Mermaid.” -
Wong Kar-wai’s “Chungking Express” – 2016 HKIFF Review
Yuan-Kwan ChanPosted on February 27, 2016 | No CommentsMore than two decades later, “Chungking Express” takes on an eerily prophetic tone, with elements on celluloid no longer existing in today's Hong Kong.