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Welcome to Arras!
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Recent Posts
- May Kamaka wins the Miss Chinatown Hawaii 2026 Pageant
- M+ host of Guo Pei’s first major fashion exhibition in East Asia
- Photos: G-STAR “Anatomic Denim” F/W 2025 collection & Denim Gorilla
- MLB: Dodgers 7, Reds 0 (Aug. 25, 2025) – Shohei tutors Teoscar?
- MLB: Dodgers 7, Reds 0 (Aug. 25, 2025) – V of BTS throws opening pitch
- MLB: Dodgers 5, Reds 1 (Aug. 27, 2025) – Ohtani records first win as a Dodgers pitcher
- Another gold medal, another world record for Mondo Duplantis
- In what turns out to be Son’s Tottenham farewell tour, Spurs beat Arsenal in Hong Kong
- “A Samurai in Time” – 2025 Japan Cuts Film Review
- Takashi Murakami was everywhere at Art Basel Hong Kong 2025
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Tag Cloud
Art Basel Hong Kong Asia Fashion Collection Asian American International Film Festival beauty pageants Busan International Film Festival Citi Open Exclusive Interview Fall 2007 Fall 2009 Fall 2010 Fall 2012 Fall 2013 Fall 2014 Fall 2015 Fall 2016 Fantasia International Film Festival Hong Kong International Film Festival Hong Kong Sevens Japan Cuts Film Festival Melbourne International Film Festival New York Asian Film Festival New York Fashion Week New York Film Festival Olympic Games POW! WOW! Hawaii Red Carpet Rogers Cup San Diego Asian Film Festival Seoul Fashion Week Spring 2009 Spring 2010 Spring 2012 Spring 2013 Spring 2014 Spring 2015 Spring 2016 Spring 2017 Tokyo Fashion Week Toronto Fashion Week Tribeca Film Festival Washington Kastles Washington Mystics Westminster Kennel Club Dog Show WNBA World TeamTennis
Hong Kong Archive
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Anthony Pun’s “One More Chance” – 2023 Busan Film Review
Yuan-Kwan ChanPosted on October 12, 2023 | No CommentsIf “One More Chance” is, indeed, Chow Yun Fat’s final film – as he suggested (joked?) during his brief appearance in Busan – then what a swansong it is. -
“Enter the Clones of Bruce” – 2023 BIFAN Review
Yuan-Kwan ChanPosted on July 7, 2023 | No CommentsThe documentary explores the “Bruce-ploitation” film genre, which sought to capitalize on the demand for martial arts films following the death of Bruce Lee. -
Busan 2022: Tony Leung Chiu-wai discusses “2046,” Wong Kar-wai
Yuan-Kwan ChanPosted on June 4, 2023 | No Comments"2046" was one of six films the actor chose for his In the Mood for Tony Leung retrospective at the 2022 Busan International Film Festival. -
Busan 2022: Tony Leung Chiu-wai talks about his career – and the future roles he wants
Yuan-Kwan ChanPosted on June 3, 2023 | No CommentsLeung was undisputedly the star in Busan, celebrated as the Festival's Asian Filmmaker of the Year and through a six-film retrospective. -
Tony Leung Chiu-wai honored with handprint at 2022 Busan Film Festival
Yuan-Kwan ChanPosted on October 14, 2022 | No CommentsTony Leung Chiu-wai was chosen as the Asian Filmmaker of the Year at the 2022 Busan International Film Festival. -
“The Eagle Shooting Heroes” (射鵰英雄傳之東成西就) – 2022 Busan Film Review
Yuan-Kwan ChanPosted on October 13, 2022 | No CommentsIn what appears to be an absolute trolling of Wong Kar-Wai, we salute Tony Leung Chiu-wai for selecting this film. -
Sammo Hung gets candid at the 2019 Hong Kong International Film Festival
Yuan-Kwan ChanPosted on May 18, 2019 | No CommentsThis year's "Filmmaker in Focus," Sammo Hung took time out of his busy schedule to answer some questions. Topics ranged from the current state of the Hong Kong film industry to his past work. -
Film Review: Lee Lik-chi’s “The Lucky Guy” (行運一條龍)
Yuan-Kwan ChanPosted on January 27, 2019 | No CommentsStephen Chow fans who have not seen his 1998 film “The Lucky Guy” can rejoice: the movie will be re-issued on DVD and Blu-Ray in time for the Lunar New Year. -
“Men on the Dragon” – 2018 New York Asian Film Festival Review
Alfonse ChiuPosted on July 12, 2018 | No CommentsFearing a round of layoffs, four mid-career telecom workers join the company’s dragon boat team in a bid to avoid the chop in “Men on the Dragon” (逆流大叔). -
Film Review: Johnnie To’s “Election”
Rex BaylonPosted on June 14, 2017 | No Comments"Election” takes the skeleton structure of a gangster flick to tell a very human tale about power and its corrupting effect.









